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Francisco Goya
The Forge
mk132
1812-16
Oil on canvas
181.6x125cm
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Francisco Goya
El Maragato points a gun on Friar Pedro
mk132
about 1806-07
Oil on panel
29.2x38.5cm
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Francisco Goya
Inquisition
mk132
1812-19
Oil on panel
46x73cm
Royal Academy of San Fernando
Madrid
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Francisco Goya
The Colossus
mk132
about 1808-12
Oil on canvas
116x105cm
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Francisco Goya
Second of May 1808.1814
mk132
Oil on canvas
266x345cm
Museo del Prado
Madrid
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Francisco Goya
Third of May 1808.1814
mk132
Oil on canvas
266x345cm
Museo del Prado
Madrid
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Francisco Goya
Edouard Manet,Execution of Maximillian
mk132
1866
Oil on canvas
252x302cm
Kunsthalle,Manheim
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Francisco Goya
Cannibals preparing their victims
mk132
about 1800-08
Oil on panel
32.8x46.9cm
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Francisco Goya
Cannibals gazing at their victims
mk132
about 1800-08
Oil on panel
32.7x47.2cm
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Francisco Goya
Corral de Locos
mk132
1793-94
Oil on tinplate
43.8x32.7cm
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Francisco Goya
L-Aquelarre
mk132
1797-98
Oil on canvas
44x31cm
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Francisco Goya
Saturn devouring his children
mk132
1820-23
Oil on plaster
Transferred to canvas
143.5x81.4cm
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Francisco Goya
Judith
mk132
about
1821-23
Oil on plaster transferred to canvas
146x84cm
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Francisco Goya
Pilgrimage to San Isidro
mk132
1820-23
oil on plaster transferred to canvas
140x438cm
Museo del Prado
Madrid
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Francisco Goya
Witche-Sabbath
mk132
1821-23
Oil on plaster transferred to canvas
140x438cm
Museo del Prado
Madrid
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Francisco Goya
La Leocadia
mk132
1820-23
Oil on plaster transferred to canvas
147x132cm
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Francisco Goya
The Dog
mk132
1820-23
Oil on plaster transferred to canvas
131.5x79.3cm
Museo del Prado
Madrid
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Francisco Goya
Cudgel Fight
mk132
1820-23
Oil on plaster transferred to canvas
125.1x261cm
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Francisco Goya
Fantastic Vision or Asmodea
mk132
1820-23
Oil on plaster transferred to canvas
127x263cm
Museo del Prado
Madrid
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Francisco Goya
Eugene Delacrois after Capricho 8,Que se la llevaron
mk132
pen and ink,brown wash and pencil
10.7x17.5cm
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| Francisco Goya
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1746-1828
Goya is considered the 18th Century's foremost painter and etcher of Spanish culture, known for his realistic scenes of battles, bullfights and human corruption. Goya lived during a time of upheaval in Spain that included war with France, the Inquisition, the rule of Napoleon's brother, Joseph, as the King of Spain and, finally, the reign of the Spanish King Ferdinand VII. Experts proclaim these events -- and Goya's deafness as a result of an illness in 1793 -- as central to understanding Goya's work, which frequently depicts human misery in a satiric and sometimes nightmarish fashion. From the 1770s he was a royal court painter for Charles III and Charles IV, and when Bonaparte took the throne in 1809, Goya swore fealty to the new king. When the crown was restored to Spain's Ferdinand VII (1814), Goya, in spite of his earlier allegiance to the French king, was reinstated as royal painter. After 1824 he lived in self-imposed exile in Bordeaux until his death, reportedly because of political differences with Ferdinand. Over his long career he created hundreds of paintings, etchings, and lithographs, among them Maya Clothed and Maya Nude (1798-1800); Caprichos (1799-82); The Second of May 1808 and The Third of May 1808 (1814); Disasters of War (1810-20); and The Black Paintings (1820-23).
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